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Mind Mirror :: Buddhat at the Movies [1]

Posted on Dec 5th, 2007 by gary : generalist gary
__lotus99-600
in good-old serial fashion,
here's the first part of my survey of
the interface of cinema and the Way of the Buddha,
reprinted [with permission of the author and the publisher]
from The Complete Idiot's Guide to Understanding Buddhism (2nd ed'n),
by ... me. 

[ currently working on an interfaith book on spiritual cinema ]



Mind Mirror:
Buddha at the Movies


Looking back, the most popular art form the twentieth century bequeathed to posterity was � movies! Nothing goes around the world like a ticket to the movies. This holds for TV, too, also speaking the universal language of cinema but on a much reduced scale. As mystic movie maven and filmmaker Stephen Simon says, "Movies are the most electrifying communications medium ever devised and the natural conduit for inspiring ourselves to look into the eternal issues of who we are and why we are here." So, of course, this has its Buddhist lights, and we can break that down two ways: film itself as Buddhist, and Buddhist films.


Now Playing: Film as Buddhist

Whatever's playing, I always enjoy the hush that settles in when the lights dim before the show. The sheer act of gathering together with fellow villagers for some storytelling around a campfire (the flickering lights and shadows on a movie screen) has primal roots, deep within the sacred. And film can, in and of itself, provide an apt model for our mundane consciousness; conscious of something�but what? Illusion, quite often. Plato once described the unexamined life in terms akin to sitting in a theater never aware of the projection booth where the images come from; instead, we take what we're seeing for reality. So it is, the Buddha shows, with the projections of our own minds, which we take as the reality of our experience.

There's a visual metaphor in Buddha's motto: "Come and see!" Vipassana: clear seeing into the nature of things. Burmese vipassana master Sayadaw U Pandita notes that when we watch a movie, the process can be like insight meditation. Each has four phases:

  1.     1. Appearance of object
  2.     2. Directing of attention
  3.     3.  Close observation
  4.     4. Understanding

 

In insight meditation, 1) we focus attention on our belly, say, which leads to 2) appearance of rising and falling of the abdomen, followed by 3) noting the process and our feelings, then 4) discovering special characteristics and how they actually behave, not how we think they do.

Watching a movie, 1) we focus attention on the screen, which leads to 2) appearance of characters and scenes, followed by 3) making out what's happening by observing carefully, then 4) discovering the plot and appreciating the movie.


 

-=[ to be continued ]=-


 

lotus by bahrman farzad

 

 

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Stu : Knower of Nothing
1 day later
Stu said

Gary,
You are so right.  I always imagined Platos Cave allegory to be a strange vision of folks in mesmerized movie theatre. The Philosopher King is inspired to turn around and see there is nothing but a projector behind him.  Intrigued, he gets up and walks past the projection booth, past the popcorn vendor, and outside into the bright sunlight.  Blinded by a world brighter than any xenon bulb.

I tell my son there are two types of people in the world, those who watch TV and those who make it.  Be the one in the later group.

s.

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